Pakistan Journal of Social Sciences

Year: 2009
Volume: 6
Issue: 3
Page No. 164 - 167

Potential Development of Lam Rehung Taw Glawn Performance (Northeastern Thai or Isan Musical Folk Drama) in Northeast Thailand

Authors : Kittisak Saenpradit, Souneth Phothisane and Jarernchai Chonpairot

References

Champadaeng, S., 2008. Khaen: Folk wisdom application on conservation revitalization and development of raw materials and khaen making to enhance its cultural value. Proceedings of the 13th International Conference of the Asia-Pacific Society for Ethnomusicology (APSE), October 2-5, Mahasarakham University Thailand.

Khammong, S., 1995. Thai Northeast Music: Kaen and its Associate Music. 2nd Edn., Prasan Press, Kalasin, pp: 47-84.

Pikulsri, C., 2008. Loa Classical Music Following Political Change in 1975. 1st Edn., Center for Research on Plurality in the Mekong Region, Khonkaen, ISBN: 978-974-06-6242-6, pp: 46-51.

Saentaweesuk, B., 2006. Isan Folk Music. 1st Edn., Aphichat Press, Mahasarakham, pp: 87-249.

Smutkupt, S., 2001. Mowlum Cing Isan: Bodies and Voices in a Modernized Performing Art from Northeast Thailand. 1st Edn., Thai Studies Anthropological Collection Institute of Social technology, Suranaree University of Technology, Nakhonratchasima, pp: 90-297.

Sonsanam, P., 1996. Music Accompany Lammoo Performance. 1st Edn., Mahasarakham University, Mahasarakham, pp: 87-249.

Suwannarong, N., 2008. Development of Isan modern folksong. Proceedings of the 13th International Conference of the Asia-Pacific Society for Ethnomusicology (APSE), October 2-5, Mahasarakham University Thailand.

Terry, E.M., 1985. Tradition Music of the Loa: Kaen Playing and Mawlum Singing in Northeast Thailand. 1st Edn., Green Wood Press, London, pp: 101-187.

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